| October 7, 2008 |
Created and Maintained by: The Photoimaging Information Council |
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Simone Sbaraglia |
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1. Recognize beauty! Train yourself to recognize beauty in your daily life, even when you don't carry a camera. At home, at work, in the car, at the shopping mall, always be on the lookout for beauty. It can be a color, a pattern, a facial expression, an interesting light. A photographer is a person trained to recognize beauty and extract it from the surrounding noise, clutter and ugliness so that other people can see and appreciate it. ![]() © Simone Sbaraglia
2. Less is more Simplify your composition. Remove all unnecessary elements. One idea is plenty to put in a picture. Decide what your main idea is and remove all elements that are not essential to communicating that idea. ![]() © Simone Sbaraglia
3. Careful with that background! The background of a photograph is as important as the main subject. A cluttered background will ruin your picture. Always work the subject from all possible angles. Be aware of the background and how the subject blends with it. ![]() © Simone Sbaraglia
4. Suffer! The more you suffer, the better your picture will be. Few great pictures can be taken from the comfort of a couch. You must be crazy, passionate, determined and obsessed with photography to the point that you don't mind carrying heavy gear for miles, enduring cold and heat, bugs and discomfort, skipping lunch and dinner. (See photos of bison in Yellowstone and alligators in Everglades) You have to have that drive. Never be satisfied with what you’ve got. There is always a better picture waiting for you. ![]() © Simone Sbaraglia
5. Don't be in a hurry Especially when photographing wildlife, take the time to learn the subject's behavior and wait for it to become habituated to you. Try to get close and learn to anticipate what the subject will do. Your pictures will show your intimacy with the subject. It’s extremely rare to snap a great picture right away. Even under favorable conditions, it usually takes days or weeks to even reach the point where you can get a good picture. ![]() © Simone Sbaraglia
6. Don't run around Just concentrate on one subject and one location for as long as it takes (even the whole trip), rather than searching constantly for new opportunities. Work with what you have, shoot from all possible angles. Start wide and slowly get to the details. After some time you will begin to see angles and details that you didn't see at first glance. ![]() © Simone Sbaraglia
7. Be ruthless in editing Ultimately, a portfolio is judged by the worst picture it contains, not the best. If you realize that a certain image is less than perfect, leave it out of your portfolio. Be ruthless in your editing. Try not to get emotionally attached to your pictures. The fact that you had to stand in the snow for a whole week to get a certain picture doesn't mean that it’s a great image. ![]() © Simone Sbaraglia
8. Shoot with balance Don't be afraid to shoot a lot. Wildlife is often unpredictable. Besides, shooting a lot in the first few days of an assignment will warm you up and make you less tense. Once you know that you got something, you’ll be more relaxed. Then the good stuff will come. At the same time, don't shoot carelessly or you won't be able to focus and none of the pictures will be good. The mere fact of taking more pictures is not going to increase your chances of getting a good one. Think about this: even if you shoot 1000 pictures per day at (say) 1/500s, you only captured 2 seconds out of 24 hours... ![]() © Simone Sbaraglia
9. Shoot for the final print Learn to envision the how the final print will look after all your post-processing is done. Shooting is just one step in the whole process. It often pays off to be conservative when you shoot to leave more room for adjustments in post-processing. Some examples:
10. Good gear and a tripod You need a good camera and especially good lenses to take quality pictures. There is no way around it. Buy fewer lenses but buy the best. Carry a good tripod at all times and try to use it as much as possible (e.g. all the time, unless you really need to be highly mobile). Using a tripod will make your images much sharper and, more importantly, will slow you down and make you think more carefully about your composition. ![]() © Simone Sbaraglia
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