Edit As If There's No Tomorrow
Russ Burden
Rating: 9 / 10
If you love the sound of capturing images at seven frames a second to the point at which you fill your buffer, you will have a lot of similars. Within each series, there will always be a few that stand head and shoulders above the rest.
Digital photography has created a new phenomenon that I call “lead finger syndrome.” What was once reserved for fast drivers and known as “driving with a lead foot” has now migrated into the world of digital photography. Being one from the “old days” of film I was certainly more conservative with both the frequency and duration of time I pressed the shutter. But given the fact that every digital capture is free, I’m much more prone to laying on the motor drive. I still haven’t graduated to the ranks of a lead fingered photographer, but I do come back from a shoot having taken more pics than in my film days. While this certainly increases my chance of capturing that killer photo, the cause effect relationship presents a dilemma when it comes to editing.

© Russ Burden
What am I going to do with all these pics? Where do I begin my editing? Where will I find the time to sort? Where will I store them all........? The questions go on yet the answer is relatively simple and two fold. 1) If you absolutely hate to edit, you have to find a compromise between how much of a lead fingered photographer you want to be relative to the amount of time you want to spend in front of the computer. If you return from every session dreading the edit, shoot less to make your job easier. If you decide to be a lead fingered champ, graciously accept the fact you’ll stare at the screen toggling the right arrow and delete button a lot. 2) Edit like there’s no tomorrow - If you love the sound of capturing images at seven frames a second to the point at which you fill your buffer, you will have a lot of similars. Within each series, there will always be a few that stand head and shoulders above the rest. Keep those and get rid of the rest. Shift-Click the throw aways and get rid of them in mass as it will allow you to more clearly evaluate the best ones. Be ruthless as nobody is going to buy the photo of the one that almost works.

© Russ Burden
Here’s what I do. When I get back from a shoot, I do what I call a Quick Edit. I immediately discard the softly focused, poorly cropped, poorly exposed, eyes closed, etc. unmistakable throw aways. If I notice any killer pics, I assign them five stars. For this Quick Edit I’m doing the obvious for only the best and worst. The reason is I’m still too emotionally attached to the photos and if I try to rank them into a more fine tuned hierarchy, my sentiments, challenges to get the image, etc. get in my way and it becomes too subjective. With this in mind, I separate myself for a period of time and revisit each folder a month or so later at which point I can be much more objective.

© Russ Burden
When you’ve reconciled that it’s time to perform a solid edit, as stated above, be ruthless with your decision to keep an image. Is it better than ones you already have of the same subject? Is it to be used as a place holder in that it’s the best one you currently have of that subject? Is it technically and creatively sound? Does it have potential to be used in conjunction with another image in a montage? Does it have potential stock or sales likelihood? Is it one of the top five in a series of twenty or more? If you answer YES to these questions, hold and rank the photo. If not, eliminate it from the folder. All this being said, there are many photographers who simply can’t even get stand the thought of deleting their captures. If you fit this mold, get yourself some external drives and copy all your files to them so you feel secure. But on your desktop, cull the folders to make your everyday work flow that much smoother. Each of the three accompanying photos were the best in the series or circumstance from when they were photographed - trust me, many of the others were deleted.
To learn more about this topic, join me on one of my Photographic Nature Tours. Visit www.russburdenphotography.com and click on the NATURE TOURS button for more information. Also, pick up a copy of my book, Amphoto’s Complete Book of Photography. You can purchase a signed copy directly from me or visit your local book store or Amazon. Contact me at rburden@ecentral.com to order your signed copy.





jamyang
03-06-2010
wonderful pictures i like them too muchRuss Burden
05-06-2010
Regarding the article, “Edit As If There's No Tomorrow,” the photos are excellent; the content is very good. However, the text itself needs editing. For example, readers will likely interpret “edit” as referring to the activities they do in Photoshop such as cropping and color correction. To prevent your title and article from confusing your readers, I suggest using “delete” in the title and “delete” and its synonyms in the body of the article. The article contains several problems with punctuation, particularly with the use, or lack of it, of hyphens. Note where I have added hyphens in the following phrases in which the first two words act as a unit to modify the third: lead-finger syndrome, cause-effect relationship, lead-fingered photographer, lead-fingered champ, fine-tuned hierarchy, Note also where I’ve added missing commas: “The questions go on, yet the answer….”, ”Be ruthless, as nobody is going to….”, ”For this Quick Edit, I’m doing the obvious….”, ”a month or so later, at which point….”. Finally, change “When you’ve reconciled….” to “When you’re satisfied….”. (“you’ve” is grammatically incorrect; “reconciled” doesn’t mean what you’re trying to say.) “place holder” to “placeholder”, “work flow” to “workflow”. There are several infelicitous sentences whose corrections would be more esthetic than grammatical, but I believe I’ve said enough on the subject of textual editing. Regards, Billpaul
07-07-2010
Great article! Hmmm, that silhouette of howling dog looks familiar.