Adjustment Layers by Dave Cross Article rating: 8.58 |
Both Photoshop CS and Photoshop Elements have adjustment layers – here’s an overview of the reasons why you should use them, rather than making adjustments directly to the image itself.


You can always hide the adjustment layer,

lower the opacity to make the effect less obvious,

change the Blend mode to alter the effect it has,

double-click on it and change the settings, or throw it away completely. This is an ideal solution when you are printing and trying to tweak your colors. Using an adjustment layer, make an adjustment, then print. If you’re not satisfied, double-click on the adjustment layer, make changes, then print again.



Or, make a selection before you add an adjustment layer and only the selected area will be affected. In this example, we made a feathered selection around the bird and then chose Select>Inverse to select the outside area. Then we added a Levels adjustment layer and lightened just the selected area.


If you ever want to “turn off” the layer mask, hold down Shift and click on the mask thumbnail (Shift click again to turn it back on again).



Next we filled the layer mask with black to completely hide the effects of the Blend mode.


Finally we painted with white the areas of the tire that we wanted to be brighter.


In this example we added a Hue/Saturation adjustment layer, with the goal of changing the boy’s shirt color. As the Hue was changed, the entire image changed color – and looked really bad.


Again, we filled the layer mask with black to hide the effects of the adjustment layer,

then painted with white only over his shirt so that area was affected by the Hue/Saturation adjustment layer.


Then we can easily double-click on the adjustment layer and change the Hue and Saturation settings to change to just about any color we want – without changing the rest of the image, and without making a permanent change to the original background.

Should you always use adjustment layers, without exceptions? Perhaps not, but at the very least you should always consider using them, to give yourself the highest level of flexibility and control.
Dave Cross works for the National Association of Photoshop Professionals (NAPP) where he writes for Photoshop User Magazine, creates videos for the member’s web site, is featured on a series on instructional DVDs and is Executive Editor of Photoshop Elements Techniques Newsletter. He is also co-author of the Photoshop World Dream Team Book.