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Robert Tourtelot is a renowned litigator in the California firm of Tourtelot and Butler, best known for his high profile work in the OJ Simpson trial. As the attorney for both Mark Fuhrman and the Goldman family, Tourtelot spent nearly 300 hours on television in 1995 appearing on shows from The Today Show to Larry King Live. Tourtelot has represented many high profile names and institutions from stock brokerage firms and banks to the LA Dodgers. He has been a volunteer judge pro-term, a special reserve police officer and was appointed to the Judicial Selection Advisory Board by former Governor Pete Wilson, to name just a few of his prestigious titles. Amidst his demanding schedule and raising four children with his wife, Susan, Robert Tourtelot has found time to discover and rediscover his passion for photography. Tourtelot’s interest in capturing the world on film began at a very young age. “I was about eight or ten,” he says, “ when I bought a Kodak box camera for a dollar at a second hand store and started taking portraits of the dog, my sisters and brothers, even of myself and developed them in my basement…I still have a scrapbook of some of those shots,” he recalls. ![]() "Boy Looking at Bubble", Santa Monica, California. I loved the intense curiosity of this little boy staring at a soap balloon made by a clown on the Santa Monica Pier one Sunday afternoon. © 2003 Robert Tourtelot
In the last four years, however, Tourtelot has committed a lot of time and energy to the craft of photography. “Digital cameras drew me back in and peaked my interest,” he says, “so I bought a two mega pixel Kodak and then switched to a 4 mega pixel Sony, to a Minolta Dimage 7 and finally to a Nikon D 100,” which he still uses. ![]() Pia and Theresa of the "Buena Vista Social club", Hotel Nationale, Havana, Cuba. © June 2003 Robert Tourtelot
He has also committed himself to learning formally, saying, “I’ve studied a lot at the UCLA extension school and completed a course at the New York Institute of Photography.” Returning to photography, he says “makes me look at the world differently…I love morning light and mid-afternoon light.” It has truly made him stop and look at the proverbial roses more. ![]() Children on cart being pulled by a goat, Havana, Cuba. © June 2003 Robert Tourtelot
In a sense, Robert Tourtelot could be categorized a travel photographer. Although, he practices law full time and enjoys the courtroom experience he says with a laugh, “I would also love to be taking photographs of the camel trade all day,” (in reference to a trip he took to Egypt with Popular Photography last year). He is also currently working on publishing a book, entitled Havana Viva, based on his travels to Cuba, where he visited twice last year. Cuba, he says, “is especially intriguing because of the people, the music, the cars, the feeling of being in the 1950s, and the architecture.” “I went to Cuba to take pictures, to get to know the people, the kids,” he explains. ![]() Groom assisting Bride from car, El Prado, Havana, Cuba. © June 2003 Robert Tourtelot
As a photographer of the human condition, Tourtelot elucidates, “I don’t believe in taking pictures of the homeless or those in dire straights. The people of Cuba gave a great spirit. Castro hasn’t broken their spirit; they love to laugh.” (His next exotic destination with his wife is to the Malaysian city of Kuala Lumpur in April, which with a turn of good fortune, he won at a charity event.) ![]() Interior courtyard of old building, Old Havana, Cuba. © June 2003 Robert Tourtelot
Robert Tourtelot photojournalistic approach reflects his opinions on the condition of contemporary photography, “I am of the firm belief there exists in Photography today a certain element of ‘elitism’ amongst certain well-known photographers, galleries and critics.” He tends to prefer non-manipulated, straight prints ,”from time to time, you will see a photo of a building or a couple standing in a doorway, e.g. that is so out of focus that I want to laugh. Of course the reviewer or whoever is commenting on the photo accepts the photographer’s explanation that it was shot this way on purpose to convey some sense of mystery or whatever.” Over all, Tourtelot insists on giving credit where credit is due, not simply for a famous name, but for a truly successful photograph. “People always say (the photographer) was just in the right place at the right time, but he works hard for that (image).” ![]() Fortune Teller, San Francisco Square, Old Havana, Cuba. © June 2003 Robert Tourtelot
Currently, Robert Tourtelot has come full circle to his youthful roots in portraiture, influenced, he says, by assignments, from photojournalism to glamour photography, at the New York Institute. “I don’t like to see people pose,” he explains, “I tell the people in Cuba, ‘I don’t want to see any postcard shots’.” “The study of portraiture,” he continues, “helps with the understating of lighting, from Rembrandt on. It helps with the understanding (of photography). It still amazes me how little I know…It really is an incredible field.” ![]() 1956 Ford Fairlane, Havana, Cuba. © June 2003 Robert Tourtelot
Something tells me that this talented, learned and practiced photographer has far more knowledge of the art than he lets on. ![]() Man sitting on curb, Old Havana, Cuba. © March 2003 Robert Tourtelot
![]() Two men in street conversation, Havana, Cuba. © March 2003 Robert Tourtelot
![]() Wedding, El Prado, Havana, Cuba. © March 2003 Robert Tourtelot
![]() Street musicians, Old Havana, Cuba. © June 2003 Robert Tourtelot
![]() My beautiful wife, Susan. © 2003 Robert Tourtelot
![]() Wooden lady in front of restaurant, Venice Pier, Venice, California. © October 2003 Robert Tourtelot
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