| September 7, 2008 |
Created and Maintained by: The Photoimaging Information Council |
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Natalie Fobes |
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1. Look for the light. Learn to see and use available light. Don’t just think highlight here. Think about using the available light to fill in a flash’s highlights or soften the harsh edge. Experiment with rear-curtain sync and a slow shutter speed to “burn in” the existing light. ![]() Microsoft Executive in France © 2007 Natalie Fobes
2. Learn to create “available” light. If you bring your light with you, you will always be assured it is there in a pinch. Don’t think only large strobes but small system strobes with an array of small slave strobes. My favorites are made by Morris. I’ve used them to replicate candle light (with an orange gel) in a classy restaurant, cooking fire light (with a red gel) in a thatched roof Guatemalan hut, lamplight in an upscale Whistler, Canada, bed and breakfast, to name a few. I trigger them with a small, sometimes undetectable, burst from my on camera flash. ![]() The Oyster Bar, Bellingham, WA. © 2007 Natalie Fobes
3. When in a tricky lighting situation, such as the one on a fishing boat where they were harvesting salmon at night, place your flashes where the existing lights are. Then use your on-camera flash to trip the lights. The lighting in this photo is harsh, edgy, and looks real because of it. ![]() Harvesting salmon netpens, Puget Sound, WA. © 2007 Natalie Fobes
4. Learn how to use your flash on manual. If you create a pleasing ratio then you won’t be unpleasantly surprised when you see the images. ![]() Production manager at Microsoft's Dublin plant © 2007 Natalie Fobes
5. Break the rules of composition ala Arnold Newman whenever possible. 6. Learn to be a businessperson first, photographer second. You have to stay in business to continue making great and story-telling images. ![]() Bride waiting for rain to stop at her outdoor wedding © 2007 Natalie Fobes © 2007 Natalie Fobes
7. Do not betray the trust that your subject gives you. Each person you photograph should be treated with respect and compassion. ![]() Photographs of Chukotka in winter. Providenia, Sireniki, Reindeer herders, Lavrentia, Nuevo Chaplino. Taken for National Geographic Magazine, Bering Sea story. 1990. © 2007 Natalie Fobes
8. Consider every shoot an opportunity to stretch your creative boundaries. Take the safe shots first and then experiment. It is what you must do to keep your passion for photography alive. ![]() © 2007 Natalie Fobes
9. Give the content or message in your photograph the respect it deserves. Too many people worry only about the technical aspects of the print and not about what the image says. ![]() Crying oil spill worker, Exxon Valdez oil spill © 2007 Natalie Fobes
10. Give back to the community. Take the time to shoot the stories that need to be told, those stories that can make a positive difference in the world. Take the time to shoot the photographs that can make a positive difference in someone’s life. Photography is a powerful tool to educate, enlighten, move and communicate. Use it. ![]() Chinese orphanage © 2007 Natalie Fobes
![]() Chukchi Reindeer herder in tent © 2007 Natalie Fobes
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