| July 4, 2009 |
Created and Maintained by: The Photoimaging Information Council |
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Articles |
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To learn how she does it, read the captions with the photographs below and you will gain insight on how to help your subjects/family members to feel more comfortable posing for your portrait session or just casual shots at home or on vacation. TIP: CATCH THE SUBJECT AFTER THEY HAVE BECOME COMFORTABLE DOING SOMETHING THAT THEY DO WELL.
This approach may provide the subject with the comfort level to do something that would ordinarily make them self-conscious. Carol King is a well-known singer, so in this case, Joyce asked her to start singing. It helped carol to relax as Joyce set up her camera equipment. Then they began to talk and King opened up. As a person relaxes, it gets easier to get them to express something a little deeper, because they drop the mask that most people wear on a day-to-day basis. The best shot turned out to be one where Carol was creating a special energy by embracing herself. ![]() Carol King
PHOTO: Joyce Tenneson TIP: ASK SUBJECTS TO GET VERY CLOSE TOGETHER, WHICH BREAKS DOWN DEFENSES.
As Joyce waited in line for a lecture to begin at Riverside Church after 9/11, she noticed these two nuns waiting in line close by. Joyce felt that they were not only wonderful looking, but reminded her of some of her aunts growing up. She approached them and asked if they would allow her to photograph them for Wise Women. Joyce learned that they have been with an Episcopalian order of nuns for over 30 years as teachers. As Joyce worked to make them comfortable in the studio, she decided to ask them to get as close together as real sisters which they certainly were. Joyce says that they felt more comfortable with this pose than being photographed alone. ![]() Sister Elise and Sister Mary Christabell
PHOTO: Joyce Tenneson TIPS: FOCUS ON THE SUBJECT’S HANDS/ASK THEM TO CLOSE THEIR EYES.
While Joyce was photographing for Wise Women at a senior citizen home in Sacramento, California, she happened to notice Elva Azzara. Joyce felt that Elva was fragile like a bird, with beautiful hands. As she photographed she asked Elva to tell her readers something personal and she closed her eyes to think. At that moment, Joyce pushed the shutter release and caught a very special moment. Also note how beautiful the long and delicate fingers look as they are outstretched and framing her face. When Elva opened her eyes she said, “I can still remember what it feels like to love with all my heart”. Joyce thought it made a wonderful ending to the book. This photograph and sentence is the last page in “Wise Women”. ![]() Elva Azzara
PHOTO: Joyce Tenneson TIP: FIND THE BEST VIEW/ANGLE OF YOUR SUBJECT. Joyce wrote to Angela Lansbury’s publicist in Los Angeles telling them about the Wise Women project. Joyce wanted to see what the real Lansbury was like and found someone that was sophisticated and elegant. In general, Joyce tries to decide how the subject may look the most interesting from the front, direct eye contact, 3/4, or the side and then perfect that position so that it has the strongest view and telling about their personalities. ![]() Angela Lansbury
PHOTO: Joyce Tenneson TIP: USE PROPS THAT MAKE THE SUBJECT FEEL MORE COMFORTABLE
This was an assignment for Entertainment Weekly Magazine for a section called The Greats. Props are another way to make a subject feel comfortable. In this case Taylor’s guitar case came in handy and had an appropriate shape to add to the overall composition of the picture. Obviously, a guitar case is a prop that Taylor relates to and one that enhances his persona. Undoubtedly, many of the people who you photograph have hobbies and special talents. Find props that tell that story and simultaneously give the subject a boost of confidence, not to mention something to hold so they don’t feel unsure of what to do with their hands. ![]() James Taylor
PHOTO: Joyce Tenneson TIP: HELP THE SUBJECT TO RELAX WITH HUMOR
Shot for the New York Times Magazine in Yankee stadium, Joyce had to quickly find out information on each of the players she was to photograph. Jeter is a heartthrob for a lot of young girls, so she teased him in a fun way about how it must feel to be a heartthrob and he started to laugh. A good technique is to get people to laugh to relax. Of course, the ball and glove helped in the same way that Taylor’s image was enhanced with a guitar case. ![]() Derek Jeter
PHOTO: Joyce Tenneson TIP: MOST MOTHERS COME TO LIFE IF THEIR CHILD IS IN THE PHOTO WITH THEM.
While at an art opening, Joyce turned to see Katharine’s amazing look and asked if she could photograph her. During their conversation, Joyce learned that Katharine was then mother of a small child, so asked her to bring the baby to the photo session and she was not disappointed. This can work with dad, grandparents, cousins, siblings, etc. ![]() Katharine & Kudyba
PHOTO: Joyce Tenneson TIP: ADD DRAMATIC COSTUMING FROM ITEMS AROUND THE HOUSE.
Larissa’s amazing timeless quality reminded Joyce of a flower so she wanted to isolate her face like the center of a flower. Larissa is not a model, but a Russian beauty that was recommended by a friend when Joyce was looking for women from different countries to photograph. The headdress is creative and results in an exotic quality for the subject. ![]() Larissa
PHOTO: Joyce Tenneson TIP: DON’T BE AFRAID TO USE DRESS UP WITH KIDS.
Eve had such a sense of timelessness that Joyce thought it could be exemplified with props such as angel wings, which happened to be lying around the studio. To further enhance the old-world appeal, Joyce put a bandana made of gauze on the model. ![]() Eve
PHOTO: Joyce Tenneson TIP: LOOK AROUND FOR EVERYDAY PROPS AND SUGGEST POSES THAT WILL FORCE A CHILD TO BE STILL. ALSO FOCUS ON FLATTERING QUALITIES OF THE MODEL.
While teaching a portrait workshop in New Jersey, Joyce wanted to use 6-year-old Sally for demonstration in a class on how to use outdoor light. A white fill card was used to add more light in her face, but Sally was quite fidgety and giggly. Sound familiar? Joyce looked around and found some leaves on the ground, which solved one problem, but made the giggling worse! The giggles stopped when Joyce asked Sally to close her eyes. Sally also has beautiful hair, which at the time, was in pigtails. The no-brainer was to let Sally’s hair down. ![]() Sally
PHOTO: Joyce Tenneson Tenneson says that sometimes she gets people to relax by simply talking about what they like most. Taking cues from her subjects is something else that can help in coming up with different concepts that will make an image more interesting than a simple snapshot as in the case of the two nuns. ![]() © 2004 Joyce Tenneson, courtesy of Theater For A New Audience
You can see more work by Joyce Tenneson at her website www.tenneson.com. You can also purchase books, her work and learn how to be apart of the many charities that she participates in. Look for Joyce’s newest book which is due out on April 15, 2003 entitled: “Flower Portraits: The Life Cycle of Beauty”. JE ![]() © 2004 Joyce Tenneson, courtesy of Theater For A New Audience
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